Wk 2 - High Fantasy Author Analysis. Literature & Language Essay

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Riddles in the Dark Analysis
‘Riddles in the Dark’ is the most eminent chapter in Tolkien’s fantasy works. In this chapter, the author proposes an unbelievably vibrant and outstanding periodic adventure. While reading this, we gather the real heroism in Bilbo’s rise among the most prototypical fictional characters of the history (Lee and Kaiine 57). The paper provides a detailed analysis of high fantasy authors, notably Tolkien and his masterpiece ‘Riddles in the Dark’.
The World Building and Archetypal Themes
Iconic fantasy literature is with “a Secondary World” in which you can enter to spiritually intellectually (Erisman 323). When a reader feels inside that sphere, he believes in its construction and supposed realities. This imaginary world has intelligible and steady laws to invite credibility. Tolkien notifies, “the moment disbelief arises, the spell is broken” (Jackson 64). Hence, Tolkien is conscious about keeping his magic unfailing and unbroken when building a fantasy world for his characters. In ‘The Riddle in the Dark’ creates a space for Bilbo and other imaginary characters using his typical fantasy arts mastery. His precise determinations to paint the geography convincingly are tremendous(Jackson 63). It shows the author’s deliberate effort to keep his reader tied with the potent spell that specifies this chapter.
The Language, Voice and Tone
Tolkien comments on language in the Lords of the Rings, “The invention of language is the foundation”(Tolkien 223). His characters and several places in ‘the Riddles of the Dark’ connote the use of old and modern English. The characters speak English in believable imaginary voices and tones. An author builds language by selecting words and sentences and combining formal and abstract language to generate a specific tone. (Whited 14). Besides, the characters gasp, whisper and cry to contribute to the realistic appeal of Tolkien’s fabricated universe.
High Fantasy Vs Dark Fantasy
High fantasy is discriminated from dark fantasy in terms of the background setting and world-building. The works of J.R.R Tolkien fall into the category of high fantasy because he produces a deliberate imaginary world which he makes believable for the reader with excellent artistic skills (Whited 272). On the other hand, dark fantasy is cha racterized by the works of authors like Robert E. Howard.
The author of high fantasy builds a substitutional world of the real world with its particular visuals and laws (Lee and Kaiine 57). Contrary to this, dark fantasy is set in the actual world as background with fictional elements like magic, mystic and fairy-tale.
Both high and low fantasies illustrate magic or fictional themes on two different levels. While both subgenres denote to the expanse of bizarre in the fiction, high fantasy has loads of magi and unlike dark fantasy.
Themes and Convections of High Fantasy and Their Evolution
The most common convections of high fantasy are journeys and pursuits, unanticipated hero, invented world, good vs evil and appearance vs reality. Journeys are a popular theme in this genre, and unexpected, fanta...