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"Futurism, war and modernity (1914-1915)" 19th Century Essay

Essay Instructions:

This will be the speech draft of a presentation based on the topic "Futurism, war and modernity (1914-1915)", which is an assignment for the course 19th Century European History.
First, you have to come up with a central question of discussion. Then, you need to present a thesis answering that question. For example, for the prompt "Marxism, socialism and revolution in Russia before 1917", the question of discussion was "How did the authoritarian Tsarist regime influence the development of Russian socialism and Marxism in the late 19th and early 20th centuries?" and the thesis was "The Tsarist regime influence the development of Russian socialism and Marxism in the late 19th and early 20th centuries due to with their discontent with the regime's failing political and social order." This is not a perfect example but it gives you the idea.
Then you need to write an outline with sub-points on what you will be writing about. The content should be broken into different sections.
Make sure to write a conclusion in the end.
The essay should provide an in-depth examination of the given prompt.
The detailed instruction is in the attached file, please read it carefully and write according to that. The lecture notes and readings is also attached.

Essay Sample Content Preview:
Name
Course
Instructor
Date
Influence of Futurism in the advancement of aesthetics on modernity in early twentieth-century Italy
Question: Researchers have often questioned; what role futurist played in the advancement of aesthetics on modernity in the 20th-century Italian society?
Thesis: Futurists played a great role in enhancing socio-cultural renewal, they addressed the aesthethic limits of modernism leading to a new form of socio-political ideologies.
1 Fururists addressed the aesthetic limits of Modernism
2 Futurists were driven by their desire for radical social-cultural renewal
3 Fururists brought out fascism as a modern form of politics
Introduction
Futurism as art and philosophical evolution came to light during the early 20th century, echoing a hunger to create new forms of art, philosophy, and social groups. It exhibited rising industrializations, featuring urbanization, nouveau technologies, and war. Futurism was a movement that inspired the waves of avant-garde Modernism in 1909, extending past a positively transforming social Darwinism and decaying aestheticism. Founded by Filippo Marinetti, Futurism superseded the beau mode of galleries and paintings to pursue modernity. It indicated right-wing beliefs and cultural nationalism, reproducing itself as the voice of advancement and the machine age (Editors of Phaidon Press). Since the futurists were against subjectivism's theoretical nature, they represented their future visions by incorporating urban landscapes and new technologies such as trains, cars, airplanes, etcetera into their illustrations. The futurist glorified violence, the working class, and also speed to advance change in their works. Futurists used numerous manifestos to express their opinions on aesthetics, politics, and social ways. For logistic purposes, the futurists' society painted their art and included advancements in the print media and modern transport to disseminate their agenda. They highlighted several proclamations, writing topics such as art, painting, architecture, music, and religion. In essence, they played a great role in enhancing socio-cultural renewal, they addressed the aesthethic limits of modernism leading to a new form of socio-political ideologies.
Aesthetic limits of Modernism
A number of the most creative artists and prophets of Modernism had a special interest in the field of socio-political innovation. However, the political affiliations of these Avant-Garde modernists were not exclusively left-wing. Marinetti and many other prominent futurists viewed Futurism as the realization of their vision, a shift of civilization based on advanced technology. Moreover, artists like Pablo Picasso were strong supporters of socialism and anarchism, being the permeable membranes between modernist aesthetics and politics.
It is also important to take into consideration the underlying motivation behind Avant-Garde movements which widened the chasm of visionary hopes between modern aesthetics and socio-political utopianisms. Most of their manifestos identified with rejections of the aesthetic belief of art as a spiritual refuge for an immoral and materialistic world. Some artists had even begun launching a spiritual renaissance to solve the moral ...
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