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Communications & Media
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Analysis of Sinatra's contribution in "Young at Heart" Media Essay

Essay Instructions:

Please write an analysis of Frank Sinatra’s contribution to a feature film he had a major role in and that we did not screen in its entirety in class (see reverse side for list). Below are a number of questions that should help guide you through taking notes on your film and writing your analysis. Remember, your essay should not merely answer these questions, but should carefully select and address the ones that are most relevant to your analysis, and then should organize them into a coherent argument, rather than simply present a list of answers.
Does your chosen film use meanings associated with Sinatra’s persona, whether at the time or earlier, in significant ways?  Which sides of Sinatra’s personae does the film emphasize and how? How does his performance in this film relate to other Sinatra film, TV or music performances?  If the film has musical numbers performed by Sinatra, how do these develop his image (or images) as a performer?  If the film doesn’t have such numbers, are there ways nonetheless that it (the film) plays with our knowledge of Sinatra as a singer-performer as well as an actor?  Does it matter to the film that it is Sinatra who is cast in the role, or is that not a major factor in the film’s impact? 
        When looking at reviews from the time of the film’s release, how was Sinatra judged in the film?  What do reviews of his contribution to the film say about how his dramatic and performing personae were being received at the time? How do the film's marketing materials (e.g., trailers, posters, promotional events) inform your analysis and frame your expectations (and those, perhaps, of audiences at the time of the film's release) of how the film will use Sinatra? Do these marketing materials seem misleading or incongruous in terms of tone or mood, or in terms of Sinatra's centrality to the narrative?
  

Your paper should not simply address the film’s narrative elements (i.e. its plot, characters, and themes), but also how the film’s stylistic elements (mise-en-scène, cinematography, editing, and sound) contribute to certain meanings, themes, and characterization. Your essay should analyze specific scenes in the film that support your argument, but not summarize them.
Film: Young at Heart (dir. Gordon Douglas, 1954, Warner)

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Sinatra's Contribution in Young at Heart
The time Alex (Gig Young), a musician, reaches at the musical Tuttle home, altogether three daughters admire him, however, Laurie (Doris Day) and Alex find love together and engage. The plot thickens when Barney Sloan (Frank Sinatra) reaches to compose and organize Alex's pieces. Alex is attractive, good looking and friendly, whereas Barney is miserable, distrustful and has a vast mark on his shoulder (Erica 1). On the day before of her marriage, Laurie comprehends that her sister’s love for Alex and ends the engagement, changing her loves to Barney, whom she perceives as a test, declining to assent that anybody could be so pessimistic and depressed (O'Brien 130). Laurie and Barney's matrimonial life demonstrates to be filled with adversity, lack and sadness, with Barney obstinately adhering to the confidence that Alex and his wife are still loving each other, even though she really loves Barney (O'Brien 130). It is only when he purposely gets a car accident and understands that Laurie is expectant that he finally get the sense of their marriage.
Young At Heart, is a 1954 musical re-creation of the Daughters and Gordon Douglas's, director, kind of Fannie Hurst's work is significantly cheered from the 1938 drama (Francis 1). Frank Sinatra’s phrasing while singing is awkward, particularly the voice. But he is very good in this film, impeccably cast as a natural failure who always decide on to finding the vilest in everything until he realizes, not only the pleasures of parenthood, but also the approval of a wife who adores him. His performing is modest and nonetheless he controls the scenes each time he acts. One would forget about Sinatra and rather focus completely on Barney Sloan. The three daughters of a music instructor are concerned to get married and loved. Every one of them arrives at the platform, nevertheless destiny deals them some weird understandings on the way (Erica 1). Laurie, Amy and Fran select men of extensively conflicting characters. Laurie falls for Alex, the tall, good-looking sociable with musical capability. Fran chooses Bob, the reliable house agent. If Amy's select is an astonishing one, it is eventually justified by actions. Then there is the amazement elopement. Barney labels himself as a goon, and the portion of the sarcastic failure is perfect for discothèque-singing, self-hating Frank Sinatra. Laurie confirms that such behaviors are accepted in Connecticut, as she attempts to improve the world-tired Barney, but he will on no occasion fit contentedly into Connecticut's sophisticated societal setting.
The film is majorly based of songs, not less than two composers assign themselves to the melodic Tuttle ladies, and the performance is regularly interspersed by songs. Sinatra and Day even grow to endorse their modern Hit Parade offerings. The song title song is justifiably well-known, and Frankie does two outstanding torch melodies, on in classic Sinatra style, alone in a bar and the other a nightclub singing of the "Set 'Em Up Joe". The movie has a great look, with pleasing images. The 'puppy' act that presents Laurie to her love Alex is particularly striking. It appears continuously to have been a period o...
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