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Pages:
5 pages/≈1375 words
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2 Sources
Level:
MLA
Subject:
Communications & Media
Type:
Essay
Language:
English (U.S.)
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Topic:

FRENCH CINEMA (Essay Sample)

Instructions:
I need a formal paper, and please follow instructions below. BOOK: Lanzoni, Remi, French Cinema: from Its Beginnings to the Present, Continuum, 2002 We will refer to it as Lanzoni Using an outline entitled “Overview of French Cinema Paper #2: History of French Cinema from The French New Wave (1959) until the Present. Using an outline entitled “Overview of French Cinema”, write a paper that weaves together a history of French Cinema from its beginnings until the start of the French New Wave. Apply topics, films, filmmakers and terminology from #6(The French New Wave) to #10(The New French Extremity, 2001 to Present) in the outline. Please double space your papers. Demonstrate that you have read Lanzoni by footnoting appropriate passages from the text that corroborate your brief history The idea is that you should be precise and concise in your paper. I don't want any lavish, wordy embellishment. Say what you need to say and say it with clarity and briefly. One last note: Do not skip any terms, topics or films on the outline for either paper! The outline provided in the upload is the outline of what needs to be discussed in the paper, as an outline format. see instructions. I will upload the references of the pages read in class for lanzoni Topic: The Left Bank Filmmakers Screening: Alain Resnais, Hiroshima Mon Amour (1959) the mind is the new cinematic landscape, where anything can happen, a realm of infinite possibility, where you can play with logic. Alain Resnais, Night and Fog (1955) Reading: Lanzoni, pp.195-244 Week #12 (November 14): Topic: French Cinema du Look of the 1980s Screening: Jean-Jacques Beineix, Diva (1981) Reading: Lanzoni, pp.338-346 Week #13 (November 21) Topic: French Cinema 0f the 1990s Screenings: Leos Carax, (Les amants du Point- neuf) (1991) (Lovers On The Bridge) Reading: Lanzoni, pp.349-357 Week #14 (November 28) Topic: Cinema Ban lieu Screening: Mathieu Kassovitz, La haine (Hate) (1995) Reading: Lanzoni, pp.405-414 Topic: The New French Extremism Screening: Jean Pierre Jeunet, Delicatessen (1991) source..
Content:
Name Professor Course Date Overview of French Cinema The New Wave The years 1958 to 1964 can be termed as the years of the French New Wave. There are some aspects of change that can be attributed to this period. First, the film directors became the undisputed authority in all film production aspects such as photography, thematic and artistic choices, script and mise-en-scene. This was misunderstood but it actually brought sanity too the film industry, creating room for creativity (Lanzioni, 195). According to Lanzioni (196), there was a change in camera work. There was a move from the traditional cinematography which comprised a flawless photography, concealing the audience to the real work of a film artist. In the new wave, cameramen got the freedom in their procedure and choice of artist. The cameraman could move around, thereby providing an exciting aspect. However, the style of filming did not change and this set the upcoming directors of the new wave to focus on the revolutionary agenda. This era also witnessed the shift to in the French audiovisual industry. The government provided the film makers with funding for this move because otherwise the film industry would fail. The funds were given by the Ministere de la Culture to film directors, producers and scriptwriters within the European Union. This saw the last phase of the New Wave which was the coming up of new acting talents such as Michel Piccoli, Anouck Aimee, Catherine Deneuve, Alain Delon and Jean-Paul Belmondo (Lanzioni, 196). The industry at this time was influenced by many factors such as political events and wars such as the Algerian conflict which claimed 1 million lives; they focused on current affairs. This combined with the tough economic times forced the filmmakers to find means of producing low-cost films (Lanzioni, 197). Post-New Wave The post-68 era was quite tense in France. Prime Minister Jacques Chirac resigned in 1976 and formed his own party. Mitterand won the 1981 presidential elections. The period between May 1968 and May 1981 depicts a time that started and ended with cultural euphoria that had not been witnessed before. Considered as one of the major political landmarks of the French politics in the twentieth century, the period is also a determining factor in the French cultural history (Lanzioni, 247). Film makers were not passed by this period, and they kept in pace with the developments. Given that the filmmakers were keen on the contemporary issues, they captured this period which was marked by the anger and the frustrations of post-68. There was emergence of issues such as trade unions, sexuality, family values, language, education and social laws. The film industry had to evolve so as to ...
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