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Essay Available:
Pages:
3 pages/β‰ˆ825 words
Sources:
5 Sources
Style:
MLA
Subject:
Visual & Performing Arts
Type:
Essay
Language:
English (U.S.)
Document:
MS Word
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Topic:

Compare Two Scrolls Chosen At The Met

Essay Instructions:

This paper is an analysis and comparison of either two paintings or two sculptures. The two artworks should relate to each other, have something in common. Identify the objects, its dates, medium and if known, the artist's name. What was the goal of these works? Was it religious, secular or for the court? How was the work used and what was it's context? What was the common lineage or influences for these objects? If from different countries, how are the differences in technique, conception and overall approach? Did these individual artist reflect the politics or aesthetics of their time, and if so, how? Is there a personal or eccentric approach, which departs from convention? What is the subject? How is it formally organized? Describe it in relation to how a viewer might perceive or read the piece. How does the organization of the picture help to communicate the meaning? How are light, space and scale used? What and how are the materials used? Is there anything unusual about the piece? Any personal theories about the content or how it was executed? And what is your overall impression, or response?
When you quote, paraphrase or summarize ideas – whether from a periodical, book, interview or from non-print or electronic sources—you must cite the source. Use in-text citation (in parentheses) after the quotation, summary or paraphrase, giving the last name of the author and the page(s), or one word from the title of the work and the page(s). On the final page of your own paper, include a bibliography that lists all sources you have used. Include the author’s name, the title of the work, and the publication information (publisher’s name; place and date of publication).

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Chinese Landscape Paintings
Chinese craftsmanship is widely acclaimed and revered not only because of the vivid depiction of the people’s cultural values and beliefs, but also because of the unique artistry that separates their art pieces from others in other parts of the world. Throughout history, various talented Chinese artists have been able to showcase their prowess in the art industry through elegant and eye-catching pictures and sculptures that also carry some hidden meanings and messages which require keen eyes and art enthusiasts to understand. Some of the famous Chinese paintings that are still being celebrated to date include the landscape of the four seasons in the styles of the old masters by Wei Zhike and the First half of ten thousand Li of the Yangzi River which was formerly attributed to Xia Gui. The paper, therefore, purports to analyze and compare the two paintings mentioned above.
The landscape of the Four Seasons in the Styles of the Old Masters
Wei Zhike was a man of many talents who excelled not only a poet but also as a painter of landscapes and flowers. During his short lifespan, he made paintings that endeared to many art lovers, especially those who are fascinated by the beauty of the outdoors. One of his most famous pieces was the painting he did on the landscape of the four seasons using the styles of the old masters. China is a deeply cultural country with citizens who are greatly proud of their heritage and surroundings. The painting of the four seasons was uniquely elegant in its depiction of the artificial rocks, swirling streams, distant pavilions and rich vegetation (Chu 17).
Wei Zhike was an influential painter in the Nanjing art scene during the late periods of the Ming dynasty. Reports indicate that he did the painting of the landscape of the four seasons in 1635 and which according to Jiang (2012) “weaved together a continuous landscape panorama while seamlessly shifting seasons and cycling through the brush modes of the various old masters” (p.1652). Wei Zhike was able to utilize some of the traditional and ancient techniques of painting and which gave the artwork a rich sense of the Chinese culture and heritage. The picture is widely considered as a handscroll because only ink and paper were the primary mediums and objects used in making it. Additionally, Wei Zhike’s abilities with the paintbrushes gave the painting a unique identity (Eun-Wha Park 157).
The primary aim of most of Wei Zhike’s paintings was to showcase the beauty of China’s natural landscape characterized by the thick green forests, tall hills and mountains and the meandering rivers. For centuries, individuals have depended on these natural sceneries for their livelihoods. Some went fishing in the rivers while the other hunted in the forests. Therefore, Wei Zhike also aimed to sensitize the public about the importance of taking care of their environment and ensure the beauty is not lost.
First Half of Ten Thousand Li of the Yangzi River
It is one of the most talked about painting from the late 15th century and during the periods of the Ming dynasty ...
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