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20th Century Modern Art History Essay Research Paper

Essay Instructions:

Image of Pollock’s One: Number 31:
http://www(dot)moma(dot)org/collection_images/resized/805/w500h420/CRI_223805.jpg
Image of Warhol’s Campbell’s Soup Cans:
http://www(dot)moma(dot)org/learn/moma_learning/andy-warhol-campbells-soup-cans-1962
Moving toward the present day in our Art History timeline, the ability to ‘name’ the art period becomes more difficult; however, art historians have come to settle on the term Modernism. Not only is the period difficult to categorize, the artworks from roughly 1907-present day are so wide ranging, it is impossible to pinpoint how different art genres exactly relate to one another. Yet, they are connected by the social conditions in which they exist and are responses to those conditions—though they respond in very different ways. In postwar America (WWII), New York City becomes the art capital of the world and two artistic genres emerged: first Abstract Expressionism and second Pop Art. Both art genres were grappling with the question of ‘what is art’ and how to represent a world shaped by global capitalism, consumer culture, and mass media. In this Case Assignment, you will be comparing Abstract Expressionist Jackson Pollock’s One: Number 31 with Pop Artist Andy Warhol’s Campbell’s Soup Cans. Pollock can be read as championing ‘the role of the artist’ as his art seems a pure abstraction of his body movements and his handling of the paintbrush; whereas Warhol seems to not have any real connection to the making of his art, as he upholds the everyday, mass-produced object as subject matter for high art. Use the required course materials to help you discuss, briefly, (1) the history of Abstract Expressionism and Pop Art and these two artists in particular, (2) the ways these artists represent the tension between individualism and mass production (a tension that defines American capitalist society), and (3) how the artworks approach questions as to the role of the artist and the role of art in society.
It is important to note that this assignment is your last encounter in thinking and writing about Art History and Art Criticism, so this is your chance to let your visual literacy shine; you will need it in order to analyze pure abstraction.
Make sure you fully address the case assignment prompt- don't just describe the painting and don’t forget to ‘really look’ at the painting. Be sure to respond to the expectations stated under "Learning Outcomes" in the Syllabus.
Apply ideas from the background readings to your analysis and discussion of the case assignment prompt.
Write, at minimum, three to four pages, not including images or references.
Include a separate cover page that includes your name, the course name, the module, and assignment name.
Set your format to 1" margins on all four sides, 12-point font, double-spaced.
Include a separate cover AND reference page at the end that includes every website and article on which you base your information and analysis. In the reference list, please note that a URL with no additional information is not a complete reference. Over time, link root will make any URL useless. Each reference should contain all the information a reader would need to find the source.
In this Case Assignment, you will:
Give an explanation of the values—influences, themes, techniques, subjects—characteristic of the period or style under study.
Give some information about how the social, political, or religious history of the period influenced its art and artists.
Provide biographical information about the artist whose work is assigned or (in SLP assignments) chosen for reflection.

Essay Sample Content Preview:

20th Century Modern Art
Student’s Name
Course
Module
Date
20th Century Modern Art
Modern Art is a unique period with many designs and artworks that have emerged over the years. This paper will focus on Andy Warhol’s Campbell’s Soup Cans and Jackson Pollock’s One: Number 31. It will first cover a history of Pop Art and Abstract Expressionism and the biographical details of the two artists. Next, it will then cover how the two artists represent the tension between mass production and individualism and finally finish with the role of the artists and art in society.
Abstract Expressionism and Pop Art are the two popular movements that arose during the modernism period. Abstract Expressionism arose in the 1940s after World War II and emerged as the dominant approach during the 1950s. Some of the prominent painters of the movement include Jackson Pollock, and Mark Rothko (Alvarez-Ramirez et al. 2019). Most of the artists were based in New York City. The movement is comprised of a wide array of styles that differ based on the quality and technique of expression (Vogel, 2013). They often rely on degrees of abstraction whereby the forms are nonobjective (not influenced by the visible world), and they are unrealistic. Emphasis is on a personal, spontaneous, and free emotional expression. On the other hand, Pop Art emerged during the 1950s and became a popular movement during the 1960s in America, and it also spread to Britain (Grudin, 2017). The movement was inspired by commercial and popular culture. The artists that emerged at this time include Andy Warhol and Richard Hamilton.
Pollock was born in 1912 in Wyoming but grew up in California and Arizona. He went to New York in 1929 and studied at the Arts Students League. His work was influenced by Tomas Hart Benton and was also popularly known as “Jack the Dripper” due to his artistic technique of drip and spatter, which fell on a canvas that was laid flat on the floor (Alvarez-Ramirez et al. 2019). He was an action painter and is regarded as one of the most talented artists in America. He died after a road accident. His artwork is often breaking the traditions of the old days while unifying them. His work expressed both contemplation and action, going beyond the other movements like surrealism, Picasso, and cubism (Alvarez-Ramirez et al. 2019). He became famous after painting the Mural in a Manhattan townhouse. It was the largest painting at the time. Warhol was born in 1928 by Slovakian immigrants, and he was the most popular and prolific artists of his age, relying on both commercial and avant-garde sensibilities. While still young, he contracted Chorea, a disease that meant he was bedridden for several months. During this time, his mother, who was a skillful artist, gave him lessons (Grudin, 2017). Art became his hobby during his childhood, and he also got a camera at nine years, which influenced him to venture into photography and film. He was an ad and magazine illustrator and became a leading artist during the 1960s. He was involved in a wide array of art forms such as video installation, performance art, writing, and filmmaking, which blurred the line between mainstream aesthetics and fine art.
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