North by Northwest. Vs. Rear Window

North by Northwest. Vs. Rear Window
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Alfred Hitchcock is among the most famous developers of masterpiece movie pieces. Right from his initial movie Rear Window in 1954, Alfred kept on understanding his audience hence producing new pieces matching the expectations of his audience. North by Northwest and Rear Window are sophistically developed by combing different stylistic tools such as suspense, flashback, romance, action and comedy. This paper therefore compares different artistic and stylistic devices employed in both North by Northwest and Rear window.
Ernest Lehman, the author of the screenplay of North by Northwest captures the attention of the viewers by suspense. For instance, when things go haywire for the hero near the start, the viewer will not wait till the end of the movies to quench their curiosity on what really happened to the protagonist. Instead, the movie is crafted in way that intelligent viewers’ comprehend the plot indirectly and connects with the rest part of the movie (Weiler, 1959). Rear window on the other hand seems to artistically capture the audience by presenting it hero confined in a wheelchair. This thrilling aspect and intelligent is exceptional in Hitchcock’s work. Kuleshov the director of Rear Window also has his stylistic way to communicate with the audience. He artistically explains the real meaning of Rear Window via the hungry man presented too the audience to represent the naive and delicate in the society who easily fall prey to the proficient and seasoned who perceive the naivety as their chance of gain influence (Rogers, 2000).
Character development is another exceptional aspect of North by Northwest and Rear window. The thrilling aspect in any movie is brought out clearly by the stylistic changing of the character lifestyles. Roger Thornhill (Cary Grant) is a polite and cultured individual. He has married and divorced twice depicting the hardships and co...