Midterm Essay. Simplicissimus Poster. Visual & Performing Arts Essay (Essay Sample)
Attend one exhibition from the Cooper Hewitt, Brooklyn Museum, Whitney Museum of Mexican Art or New Exhibitions Museum, and choose one piece of design to trace back through history for your midterm paper. The essay should be 1500 words long, and include brief biographical information about the designer, a visual description of the piece you’ve chosen to research, and an argument on how this piece fits in the history of graphic design. Think in both directions of time: what led to this piece being made (influences) and what does this piece lead to later in the future (impact).
You must do research on this piece from any museum materials (wall captions, exhibition catalog essays by curators, etc.) you encounter on your visit and supplement with additional reading at the New York Public Library and online. You must cite at least one book you referred to for your essay. This is a longer form version of your weekly comparison assignments. Dig in and dig deep. Learn and present the lineage and effect of the piece you choose. Use these two essays on design pieces as an example.
After visiting Brooklyn Museum, New York for an exhibition, I came across an interesting object, which is Simplicissimus Poster by Thomas Theodor Heine. Leipzig in Germany was the birthplace of Heine in 1867. He was an illustrator and painter who identified himself as a caricaturist when he was young. As such, he joined Kunstakademie Dusseldorf to study art. Later, Heine enrolled at the Fine Arts Academy in Munich. As a successful illustrator, he was employed by a satirical magazine of Munich called Simplicissimus in 1896. The two primary things that landed him a job were his prowess in graphic qualities, such as Japanese woodcuts and Aubrey Beardsley, and the Jugendstil idiom. Heine critiqued the monarchy and social orders, which made him popular. In 1898, the individual was imprisoned for six months due to his criticism against the corrupt government operations. After serving his jail term, he started a new career as an illustrator of books. In 1933, he migrated to Prague and later to Oslo in 1938. From 1942-1948 before his death, Heine resided in Stockholm (All-art.org, n.d.). The paper focuses on how the Simplicissimus Poster fits in the history of graphic design, its influences, and its impact on society.
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