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Visual & Performing Arts
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The inspirations of Merzbau (Essay Sample)

Instructions:
For this paper, write about the merzbau by Kurth Schwitters. Your job in this paper is simple: to look closely and bring the work to life using descriptive language. This is called formal analysis. You might start by asking yourself the following questions: What does the image look like? What was it made of? How has it been framed? What is its scale? Tell me about its use of color, form, flatness, depth, space, overlap, texture, contrast, juxtaposition, etc. Do not answer these questions mechanically, as if in a list, and also do not spend time comparing your selected piece to other works or images. Instead, think about how the work in question gives us a sense—however partial—of Schwitters' process. Describe in detail what you see as you attend to the specifics of the visual image. Please give your paper a title (but you don't need an extra, paper-wasting cover sheet), and you should of course clearly identify which image you are talking about. Put the artwork's title in italics with the date after -- such as Olympia (1865). Make sure to edit your paper for spelling, grammar, and punctuation. In order to more clearly understand what formal analysis is for art history, refer to For this paper, chose ONE work from the Schwitters show to write about (you can chose any work you like). Your job in this paper is simple: to look closely and bring the work to life using descriptive language. This is called formal analysis. You might start by asking yourself the following questions: What does the image look like? What was it made of? How has it been framed? What is its scale? Tell me about its use of color, form, flatness, depth, space, overlap, texture, contrast, juxtaposition, etc. Do not answer these questions mechanically, as if in a list, and also do not spend time comparing your selected piece to other works or images. Instead, think about how the work in question gives us a sense—however partial—of Schwitters' process. Describe in detail what you see as you attend to the specifics of the visual image. Please give your paper a title (but you don't need an extra, paper-wasting cover sheet), and you should of course clearly identify which image you are talking about. Put the artwork's title in italics with the date after -- such as Olympia (1865). Make sure to edit your paper for spelling, grammar, and punctuation. For this paper, chose ONE work from the Schwitters show to write about (you can chose any work you like). Your job in this paper is simple: to look closely and bring the work to life using descriptive language. This is called formal analysis. You might start by asking yourself the following questions: What does the image look like? What was it made of? How has it been framed? What is its scale? Tell me about its use of color, form, flatness, depth, space, overlap, texture, contrast, juxtaposition, etc. Do not answer these questions mechanically, as if in a list, and also do not spend time comparing your selected piece to other works or images. Instead, think about how the work in question gives us a sense—however partial—of Schwitters' process. Describe in detail what you see as you attend to the specifics of the visual image. Please give your paper a title (but you don't need an extra, paper-wasting cover sheet), and you should of course clearly identify which image you are talking about. Put the artwork's title in italics with the date after -- such as Olympia (1865). Make sure to edit your paper for spelling, grammar, and punctuation. source..
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The inspirations of Merzbau
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The inspirations of Merzbau
The merzbau is one of the most significant art work and myths in today’s modern art. It is among one of the most inspiration art works we have in history. This wonderful work was done by Kurt Schwitters between 1887 and 1948. It is said to be one of the most published works of this great artist. The influential work does not exist today as it was destroyed by the British solders in October 1943.
He made his constructions in his house he lived in Germany. The ceilings of the house were covered three dimensional figures and with numerous corners and grottos were filled with an assortment of objects which were looted and had remains. These nooks and grottos were frequently removed to fit in new additional work thus, remaining as memories of what it us...
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