Critical Film Response on Grey Gardens: Visual & Performing Arts Essay

Critical Film Response on Grey Gardens
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Critical Film Response on Grey Gardens
Edith Beale lies on her bed, enveloped in a housecoat; around her, she is encircled by cats as she sings. Edith and her daughter have jointly spent their years in a collapsing ancient castle along the sea for many years. Side by side, they are surrounded by a straw-hat home environment of affluent people from a similar class. Contrarily, the Grey Gardens dwells in gloomy degeneration (Bernstein, 2010: Sanchez & Fernбndez, 2016).).
However, the house used to be stunning, just as Ediths. They go through ancient scrape books, now Edith aged 82, while her daughter is 56 years old. They were the most reliable members of the society that people looked up to. Edith is seen in her bridal time and also at a help fashion display, modeling. Contrarily, their current Life disagrees with their past, and so they are seen living their memories.
The Editors say that the Grey Gardens stands as one of the highly evocative documentaries that reserve their peculiar existence. By the documentary, much has been the things they have quitted while preserving some of them. However, they have maintained sanity, style, and wit. The state magnifies the concepts of the prospects. From the film, we see two individuals who decline to live as they ought to. Hence at the end of the film, they dwell wholly on the outcome of their decisions.
The film was nearly composed by chance. The two Bouvier sisters, Lee Radziwell and Jackeline Onassis, approach directors of principle documentaries: Albert and David Maysles, requesting them to make a movie about them. Therefore, Jackeline and Lee provided the information concerning their family entailing their dual secluded friends located in East Hampton, New York. The Maysles captured th...