Cinema by zavattini. Visual & Performing Arts Essay

Cinema by Zavattini
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Cinema by Zavattini
Cesare Zavattini is famous as a prolific screenwriter and theorist of Italian neorealism. Zavattini’s views on neorealism involve an organic approach to directing cinemas. The theoretician advocates for film creations that are more relatable and educative. Zavattini discourages the incorporation of exaggerations in editing, studio sets, and use of professional actors. Instead, the theoretician supports the use of a documentary sensation to promote realism in cinemas. The theoretician is interested in the educative role of a film in the lives of people. Zavattini describes the richness in reality and the ability for people to reflect on their lives. The theoretician discourages the emphasis on surreal imaginations and metaphorical situations in American films.
Zavattini describes this situation as a reflection of the weakness of human nature and acceptance of defeat. In ‘Some Ideas on the Cinema,’ Cesare Zavattini states,
‘The most important characteristic, and the most important innovation, of what is called neorealism, it seems to me, is to have realized that the necessity of the ‘story’ was only an unconscious way of disguising a human defeat and that the kind of imagination it involved was simply a technique of superimposing dead formulas over living social facts.’ ( Zavattini, 2000, p.51 )
The theoretician suggests that neorealism is essential in transforming imaginary events into real-life events that are easily relatable. Zavattini expresses the need for films to incorporate realistic situations in their films since this approach provides details need by people to learn more about their lives. Furthermore, he emphasizes morality, which can only be achieved by realism in the film rather than fiction. The theoretician tends to establish the value of realty in human nature and supports the idea of neorealism in the creation of films.
In the screenplay, ‘The Little Girl Who Sold the Sun’ by Djibril Diop Mambéty’s, the story focuses on a young girl named Sili (Haiii, 2019). The story is set in Dakar and describes the life of a sick young girl who is resilient and sells newspapers to earn a living and support her blind grandmother. The film reflects an unconventional degree of hope in the modern world of today. Moreover, Sili is portrayed as a perfect human from her kind actions and humble nature. Irrespective of her health challenges, she fights stigma and the harsh reality of her situation and performance regular tasks like everyone else. The little girl possesses a slightly unrealistic character, according to Zavattini’s concept of neorealism. Moreover, the title of the film suggests a conspicuous controversy in the story of the little girl.
For instance, Sili gives money to a group of boys begging in the streets when she has to sell magazines to take care of a blind grandmother. The story incorporates only sad moments to portray the character as vulnerable and to meet the thematic purpose of the film. According to Zavattini, the film should have included light moments in between the scenes to meet the principles of realism in life. Typically, life is considered as a series of &l...