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Avant-garde film journal Visual & Performing Arts Essay (Essay Sample)


• Each student must keep a journal during the course, comprising at least one full page – in a 12-
point font with no more than two lines of heading – per week. This is the equivalent of a short
paper each week, in which you respond to one or more aspects of that week’s course material: the
reading, the film, the lecture, the class discussion. Of these, the reading is most important – refer
to it specifically as often as possible. Do not turn in your class notes as a substitute – this is an
academic journal, meant to record what you are learning and thinking with regard to the course
on a weekly basis. Journals must be printed by computer, not written by hand.
• A journal entry must be turned in for each and every week of class, whether or not you are
present for that week’s class session. If you miss a class meeting for any reason you must catch up
with the films (in Decker Library on reserve) and do the reading and write your entry for that
week accordingly.


Week 7 – March 5   Journal entries for Weeks 1-6 due today Lecture and discussion: Stan Brakhage. Radical subjectivity. The camera as extension of the body. Reinventing vision. Reading: P. Adams Sitney, “Interview with Stan Brakhage,” in Sitney, Film Culture Reader, pp. 201-229                 Suranjan Ganguly, “Stan Brakhage: The 60th birthday interview,” in Dixon & Foster, Experimental Cinema, pp.139-162                 Stan Brakhage, “Respond Dance,” in Sitney, Film Culture Reader, pp. 234-257                 Jane Brakhage, “The Birth Film,” in Sitney, Film Culture Reader, pp. 230-233       [Optional reading: Jonas Mekas, “Notes on the New American Cinema, in Dixon &                         Foster, Experimental Cinema, pp. 53-70] Screening: The Way to Shadow Garden – Stan Brakhage, USA, 1955       Window Water Baby Moving – Stan Brakhage, USA, 1959       Mothlight – Stan Brakhage, USA, 1963                   Murder Psalm – Stan Brakhage, USA, 1980                   The Wold-Shadow – Stan Brakhage, USA, 1972                   The Garden of Earthly Delights – Stan Brakhage, USA, 1981                   Kindering – Stan Brakhage, USA, 1987                   The Dante Quartet – Stan Brakhage, USA, 1987                   I…Dreaming – Stan Brakhage, USA, 1988                   Glaze of Cathexis – Stan Brakhage, USA, 1990                   Delicacies of Molten Horror Synapse – Stan Brakhage, USA, 1990       Chinese Series – Stan Brakhage, USA, 2003 Week 8 – March 13 Lecture and discussion: Bruce Conner. Montage and collage. Social criticism. Reading: Brakhage, Film at Wit’s End, pp. 128-147                 David Sterritt, “Bruce Conner: Crafting Visions from Film Pieces.” The Christian Science Monitor (24 October 1984) Screening: A Movie – Bruce Conner (USA, 1958)                   Cosmic Ray – Bruce Conner, USA, 1962                   Report – Bruce Conner, USA, 1967                  5:10 to Dreamland – Bruce Conner, USA, 1976                   Valse Triste – Bruce Conner, USA, 1977                   Mongoloid – Bruce Conner, USA, 1978                   America Is Waiting – Bruce Conner, USA, 1981                   His Eye Is on the Sparrow – Bruce Conner, USA, 2006 [Extended Spring Break – No Class March 19 and March 26] Week 9 – April 2 Lecture and discussion: Kenneth Anger and the mystical impulse. Movies as magick. Reading: Carolee Schneemann, “Kenneth Anger’s Scorpio Rising,” in Sitney, Film Culture Reader, pp. 277-279                 Juan A. Suarez, “Pop, Queer, or Fascist? The Ambiguity of Mass Culture in Kenneth Anger’s Scorpio Rising,” in Dixon & Foster, Experimental Cinema, pp. 115-137                 Ed Halter, “A Listener’s Guide to Kenneth Anger’s Scorpio Rising.” Crosscuts(18 August 2015)                 James Magrini, “Lucifer Rising.” Senses of Cinema 74 (March 2015) Screening: Fireworks – Kenneth Anger, USA, 1947 (链接到外部⽹站。)       Eaux d’artifice – Kenneth Anger, USA, 1953   (链接到外部⽹站。)       Scorpio Rising – Kenneth Anger, USA, 1964 (链接到外部⽹站。)       Invocation of My Demon Brother – Kenneth Anger, USA, 1969 (链接到外部⽹站。)       Lucifer Rising – Kenneth Anger, USA, 1981 Lucifer Rising by Kenneth Anger (链接到外部⽹站。) Part 4 – Features Week 10 – April 9 Lecture and discussion: Asian and African-American cinema. Reading: Michael Atkinson, “A Page of Madness.” San Francisco Silent Film Festival (2017) Screening: Asparagus – Suzan Pitt, USA, 1979 (链接到外部⽹站。)       Kurutta ippêji aka A Page of Madness – Teinosuke Kinugasa, Japan, 1926 (链接到外部⽹站。) Week 11 – April 16 Lecture and discussion: Surrealist narrative. Reading: Marsha Kinder, “The Exterminating Angel: Exterminating Civilization.” Current (9 February 2009)                 David Sterritt, “The Exterminating Angel.” Cineaste vol. 42 no. 3 (Summer 2017), pp. 60-61 Screening: Un Chien andalou – Luis Buñuel, France, 1929 (链接到外部⽹站。)       El ángel exterminador aka The Exterminating Angel – Luis Buñuel, Mexico, 1962 id950122811 (链接到外部⽹站。) (costs $3.99) Week 12 – April 23 Lecture and discussion: Image and music as equal partners. Reading: Gregory Stephens, “Koyaanisqatsi and the Visual Narrative of Environmental Film.” Screening the Past 28 (7 September 2010) Screening: Koyaanisqatsi – Godfrey Reggio, USA, 1982 (链接到外部⽹站。) Week 13 – April 30   Lecture and discussion: Transmogrifying time, space, and psychology. Reading: Mark Polizzotti, “Last Year at Marienbad: Which Year at Where?” Current (22 June 2009) Screening: L’Année dernière á Marienbad aka Last Year at Marienbad – Alain Resnais, France/Italy, 1961 Annee Derniere a Marienbad (链接到外部⽹站。) (costs $3.99) Week 14 – May 7   Journal entries for Weeks 7-13 due today Lecture and discussion: The advent of the midnight movie. Reading: Catherine S. Cox, “Eraserhead.” Senses of Cinema 40 (July 2006) Screening: Eraserhead – David Lynch, USA, 1977 Eraserhead (链接到外部⽹站。) (costs $2.99 in sd or $3.99 in hd)


Avant-Garde Film Journal
Student's Name
Institutional Affiliation
Avant-Garde Film Journal
Week 7
* Stan Brakhage Interview
In week 7, we studied about Stan Brakhage's interview. The interview communicated about Stan Brakhage's ideas that enhanced his artistic practice. Adams explains that Brakhage's artistic work started in 1963 and ended in 2003 after his death. During the time, Brakhage's ideas on Cinema and writing were consistent. However, in his late 80s, Brakhage shifted to autobiographical and psychodrama confessional work that enabled him to define his Cinema. Stan explained about moving from "Beakhage to "SB." He grew spontaneously as a film artist after getting rid of drama. He felt that his history and life had to come from the inside of him. He had perceived that everything radiating out of him would cause him to be more egocentric or personal. He also stated that he allowed himself occasionally to be used by mysterious forces to accomplish tasks that would satisfy him more. Stan had met with Jean Cocteau's while in secondary school, which caused him to acknowledge that film was indeed an art. During the time, he was involved in music, drama, and mostly in arts.

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