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Pages:
4 pages/≈1100 words
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Style:
MLA
Subject:
History
Type:
Essay
Language:
English (U.S.)
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Topic:

Analysis Of Margaret Bourke White Photos Of Soviet Union

Essay Instructions:

When an event is over, it’s lost forever, right? No! Thanks to “History,” an unreliable machine
that’s more of an art than a science, humankind can relive and rewrite its past over and over and
over again! Historians, essayists, photographers, artists, poets, and filmmakers constantly look
backwards, cutting fragments from the past to paste back together in all sorts of ways, adding layers
of artifice & nostalgia, crafting something that’s like the past, but not exactly the past.
In this Unit, we’ll evaluate how and why the past gets reenacted, remixed, and recycled as
methods of altering the opinions and emotions of people in the present. If history is made of
fragments, what does ‘based on a true story’ even mean? It’s never over until it’s over. And it’s never
over.
GOALS:
- Articulate ideas about an artwork’s Form & Perspective.
- Identify an artist/photographer’s intention & choices.
- Learn how to research a historical event.
- Learn how to effectively brainstorm and revise.
- Develop a more skeptical relationship towards ‘facts’ and ‘truth.’
ASSIGNMENT:
- Choose a representation of history (an image or series of images from list below)
- Research the event it claims to document.
- Compare & contrast the event with the representation of the event.
- 1000-1200 words
- Cite a minimum of two texts outside of class readings.
DUE DATES:
- Pre-Writing 10.21
- Global Draft 10.28
- Revised Draft & Works Cited 11.4
IMAGE LIST:
- Nan Goldin - LGBT & AIDS documentation, especially I’ll Be Your Mirror
- Kerry James Marshall - depictions of housing project life in Chicago & LA, especially
Mastry
- Carrie Mae Weems - contemplating race, gender, & class, especially the Kitchen Table
series
- W. Eugene Smith - photos of Minamata Disease
- Margaret Bourke-White - photos of Soviet Union
- Nafisi Motlaq - Iranian fathers & daughters
- Abu Ghraib torture photos
- Cindy Sherman - self portraits in costume
- Deana Lawson - especially Sons of Cush
- Thomas Hoepker - photo of Twin Towers from Brooklyn on 9/11
- Ron Haberle - photos of My Lai Massacre / Vietnam
- Emmanuel Leutze - Crossing the Delaware
- An-My Lê - especially the Silent General Series
- David Shields - Glorification of War, especially War is Beautiful
- Shirin Neshat - 1990s Iran, especially Rebellious Silence, Women of Allah
- Jaune Quick-to-See Smith - Native American history, especially Trade (Gifts for Trading
Land with White People)
- Tseng Kwong Chi - the Mao suit and Chinese American identity in late 20th century,
especially East Meets West series
- Kara Walker - depictions of slavery in US, especially Gone: An Historical Romance…
- Dorothea Lange - Migrant Mother photo, Great Depression
- Vincent Laforest - photos of Hurricane Katrina
- James Allen - Without Sanctuary, Lynching Photography in America
- Diane Arbus - the “ugly” or “surreal”

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ANALYSIS OF MARGARET BOURKE WHITE PHOTOS OF SOVIET UNION
Margaret White was a renown American photographer whose massive contribution to the photojournalism industry was evident from her work of Life Magazine. When Bourke White was still a freshman at Columbia University, she was impacted by a man Arthur Dow who was a photographer, designer and dormant filmmaker to love two-dimensional rhythm which entailed color, light, dark and line. She later opened a studio located in Cleveland where she continued with her passion for photography. Margaret's strong passion for art made her specialize in architectural photography that helped her to take great pictures of the Soviet Union.
Margaret took several photos of the Soviet Union which were published in her magazine. The studio she had in Cleveland gave her a lot of skills and exposure to the digital world and the world of camera. This helped her in her entire journey of photoshoot adventure from her beginning when she started working with the Americans and the biggest world Fortune Magazine The photos centered on specific topics like social injustices, oppression of the weak throughout the Louisville Kentucky floods of 1937.several pictures shot by Bourke showed people in different outfits and floaters showing the massiveness of the floods. The image below shows one of the pictures taken during this
floods.
Landing times before airport runways were flooded. Margaret hovered through the city in rafts to get the best pictures to capture the moment. The photos of African-American individuals standing below billboard written, "World's Highest Standard of Living-There's No Way Like the American Way," apprehended social realities and difficulties of the flood. CITATION RES \l 1033 (Snyder)
During Margaret’s early years of working, she collaborated with Erskine Caldwell and wrote a book of pictures and text documenting the Collison of the biggest depression in the South.in Mississippi, Georgia, Alabama,Arkansas, and South Carolina. Caldwell described the whole happening while Bourke White took photographs of the living conditions and life of the poorest citizens. The photos taken by Bourke helped to reinforce stereotypes and critical acclaim hence becoming a tremendous success. Cardwell and Bourke were sent by the adventure of life to photograph and film the rise of Nazism and the popularity of Hitler in Central Europe.
Nazism was associated with political rivalries that involved the rise of the Nazi party in Germany. This brought about dictatorship and tough leadership in Germany.
Photojournalism practiced by Margaret Bourke helped to capture most memories and events that occurred in the Soviet States. White supremacy had started becoming dormant and apartheid rule became rampant. White people oppressed black people. Photos taken by Bourke of how black people wer...
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